The Theatre Community Pays Heartfelt Tribute to Late UAE Theatre Veteran Eric Dury

A weekend of performances of Game, Set, Match honoured the beloved actor’s legacy, with a photograph placed in the audience and one of his iconic lines brought back to life on stage.

The UAE theatre community came together over the weekend for a moving tribute to the late Eric Dury, a much-loved Dubai based actor whose remarkable talent, generosity of spirit and dedication to the performing arts left an enduring impression on audiences, fellow actors and theatre enthusiasts across the country.

During the weekend performances of Game, Set, Match at The Junction in Alserkal Avenue, Asad R Khan, The JunctionTheatre team as well as the cast honoured Eric’s memory through a series of thoughtful gestures that celebrated not only his achievements as an actor but also the warmth, humour and camaraderie he brought to the UAE’s theatre community.

In one of the most touching moments of the tribute, a photograph of Eric was placed on a seat in the theatre throughout all the performances, including while the actors were on stage. The symbolic gesture ensured that, even in his absence, Eric remained part of the audience and the theatrical experience he had loved so dearly. Each performance was dedicated to his memory, with tributes delivered before and after the show, acknowledging his contribution to the local performing arts scene and the friendships he built over the years.

Adding a particularly personal touch, the production incorporated one of Eric’s memorable lines, “academically inclined and horizontally reclined,” which he had made iconic during a previous performance of JLT. The line was delivered in a manner reminiscent of Eric’s distinctive style, bringing a familiar moment of humour and nostalgia to those who remembered his performances.

Speaking about the tribute, Asad R Khan said: “Eric was one of the finest artists the UAE has seen. He was a powerhouse of versatile talent, and apart from winning multiple awards, he won multiple hearts. He was a true gentleman who embodied humility, goodwill, and bringing people together. His loss has left a vacuum in the UAE Acting Scene, and this was our small way of bidding him farewell as an actor, a friend, a colleague, and an audience member who always gave to the space.”

Gautam Goenka, Co Founder and Artistic Director of The Junction Theatre added, “Eric was a cornerstone of the theatre community and this was the least a space like The Junction could do to honor his memory and work. He performed several times on this stage and this last weekend we wanted to acknowledge his continued presence with this dedication. The UAE theatre community stands as one remembering Eric.”

Eric was widely admired for his versatility as a performer, his natural stage presence and his ability to bring characters to life with authenticity, humour and emotional depth. Whether performing, supporting a production or simply sitting among the audience, Eric remained a passionate advocate for the performing arts and the people who brought theatre to life in the UAE. For his family, friends and fellow artists, the weekend tribute was a poignant reminder of the extraordinary connections Eric had forged in the last 26 years in the UAE.

The Soul of Gulf Craft

How Mohammed Hussein Alshaali built a world-class yacht brand with a culture of passion, purpose and people.

Words By Shereen Shabnam

There are people you interview because of their title, and there are people you genuinely look forward to meeting because, regardless of how successful they become, they never seem to change.

For more than two decades, I have had the privilege of sitting down with Mohammed Hussein Alshaali at the many Dubai International Boat Shows. During that time, I have watched Gulf Craft evolve from an ambitious Emirati yacht builder into one of the world’s most respected names in luxury yachting.

Every year the yachts become larger, the technology more advanced and the international audience more impressive. Yet one thing has remained remarkably consistent. Mohammed welcomes everyone with the same warm smile, the same quiet confidence and the same humility that first struck me all those years ago.

This year’s conversation felt particularly fitting. It came after walking through the spectacular new Majesty 145, a yacht that perfectly illustrates how far Gulf Craft has come. Every detail reflects decades of refinement, craftsmanship and innovation. Yet as impressive as the yacht is, spending time with the man behind it reminds me that Gulf Craft’s greatest achievement has never simply been the yachts themselves. It has been the philosophy that created them.

Few people have successfully navigated two careers as different as international diplomacy and luxury yacht building. Before dedicating himself fully to Gulf Craft, Mohammed spent more than three decades representing the UAE on the global stage, serving as Ambassador to the United States, Permanent Representative to the United Nations, Minister of State for Foreign Affairs and, remarkably, becoming the youngest President of the UN Security Council during his diplomatic career.  

One might assume that diplomacy and yacht building have little in common. Mohammed sees it differently. He says, “In life, communication is important. In diplomacy, communication is everything. In business, it is exactly the same.”

It is a deceptively simple observation, but perhaps it explains why Gulf Craft has always been as much about relationships as it has been about engineering. The company’s success has never been built solely on beautiful yachts, but on the trust it has cultivated with owners, designers, suppliers and partners around the world.

Listening to Mohammed speak about Gulf Craft, it quickly becomes apparent that he rarely talks about himself. Instead, he talks about learning. “When we started, we were learning how to build. We were learning about the market. We were learning about everything. Those early years were not driven by vast financial resources or decades of experience. They were fuelled by something far more powerful. The biggest capital we had was enthusiasm and passion.”

More than forty years later, he believes that very little has changed. “Everybody comes here because of their passion. If you don’t love what you do, you simply won’t stay.”

It is a philosophy that resonates throughout Gulf Craft today. Walking through its facilities, there is a sense that every yacht represents thousands of hours of craftsmanship by people who genuinely care about what they are creating. It is an attitude that cannot be manufactured and certainly cannot be copied.

That passion is perhaps most evident in Gulf Craft’s unique approach to building. Rather than relying heavily on external suppliers, the company has invested in creating much of its production capability in-house. “We build everything ourselves,” Mohammed explains. “Steel, electronics, composite work and more.”

Today, Gulf Craft operates five specialised companies supporting different aspects of production, allowing it to control quality, delivery schedules and costs while ensuring owners ultimately benefit from that integration. The strategy was born not from convenience, but from necessity.

“When you start an industry like this in a country that had no such industry, every challenge becomes an opportunity.” Those challenges taught Gulf Craft to innovate, adapt and continuously improve. Looking back, Mohammed views those difficult early years not as obstacles but as the very foundation upon which the company was built.

That willingness to invest for the long term continues today. Alongside its expanding yacht portfolio, Gulf Craft has recently opened new service and  manufacturing facility, capable of maintaining yachts of up to 80 metres, while also expanding its presence in the Maldives with a dedicated marina and service operation. Despite global economic uncertainty and geopolitical challenges affecting international deliveries, Mohammed remains characteristically optimistic.

Walking through the Majesty 145 before our conversation, it became clear that this optimism is well placed. Every space onboard reflects decades of accumulated experience, not only in engineering, but in understanding how owners want to live, entertain and relax on the water.

“So many experiences have come together in this yacht,” Mohammed says. “Our experience, our designers’ experience, our people’s experience and the market’s experience.”

Perhaps the strongest endorsement came before the yacht had even entered the water. Gulf Craft had already secured three sales based solely on the design drawings, a remarkable achievement in today’s highly competitive superyacht market.  

While innovation and craftsmanship have undoubtedly propelled Gulf Craft onto the global stage, Mohammed returns repeatedly to one subject that matters more than anything else: people.

“Our team is the soul of the company.” It is a statement that feels entirely genuine.

He believes owners return not simply because they appreciate the yachts, but because they trust the people behind them. Beautiful designs attract attention, but lasting relationships build loyalty. “People come back because they have a relationship with the team.”

In an industry where luxury is often measured in materials, finishes and technology, Mohammed measures success differently. For him, culture has become Gulf Craft’s greatest competitive advantage.

That perspective may well explain why, after more than four decades, Gulf Craft continues to evolve while remaining unmistakably true to its roots. It has become one of the few yacht builders capable of competing confidently on the world stage while proudly retaining its Emirati identity.

Recognition has naturally followed. From building one of the world’s largest composite superyachts to receiving international accolades, including the prestigious Lifetime Achievement Award at the 2024 Boat Builder Awards, Gulf Craft’s journey mirrors the remarkable growth of the UAE itself.  

When I ask Mohammed what legacy he hopes to leave behind, his answer is telling. “I want this company to always be considered one of the best yacht builders in the world.”

Noticeably absent is any mention of being the biggest. Instead, he speaks about reputation, excellence and earning the respect of customers, designers, suppliers and classification societies alike. It is an ambition rooted not in scale but in quality.

As our conversation comes to an end, I reflect on something I have observed over more than twenty years of meeting Mohammed at boat shows around the world. The yachts have grown larger. The company has expanded globally. The awards have accumulated. Yet the man himself has remained remarkably unchanged. He is still approachable. Still gracious. Still genuinely interested in people.

The Majesty 145 may represent the latest chapter in Gulf Craft’s remarkable journey, but perhaps the company’s greatest achievement is measured in the culture Mohammed Hussein Alshaali has quietly built over four decades. A culture where passion matters more than prestige, relationships matter more than transactions, and success is never claimed by one individual but shared with an entire team.